SEMINAR IN EAST ASIAN ART HISTORY*
国際教養学部
AART4020
コース情報
担当教員: CHAN Yen-yi
単位数: 4
年度: 2024
学期: 秋学期
曜限: 月3, 木3
形式: 対面授業
レベル: 400
アクティブラーニング: あり
他学部履修: 可
評価方法
授業参加
レポート
その他
"Others" include presentations and other in-class activities. Students will be expected to give presentations on their research topics, lead class discussions, and ask questions about visual images and assigned readings in class. The detailed distribution of each grading item will be confirmed on the first day of the class.
詳細情報
概要
Texts, such as words, syllables, spells, speech, poems, anecdotes, tales, etc., have played a significant role in the creation of art in East Asia. This class examines various image-text relationships in Japanese visual culture and is organized around two themes: (1) word and image; and (2) visual narratives. The first theme analyzes ways in which words were alternated, inserted, and overlapped with images and the practice of inscribing texts on objects, such as stones, bells, architecture, prints, and sculptures. The second theme explores how stories were told visually in different formats. Each theme will begin with a historical overview of its development in East Asian art so that we will be able to situate textualization of images and visualization of texts within a broader cultural context. We will then delve into a series of case studies through which we will see how images and texts were employed together to convey meanings, express emotion, and affect society. As many works in Japanese art history concern religions, we will discuss how Buddhist ideas about language informed the cultural production surrounding the dual uses of images and texts. Students will be expected to actively engage in class discussions, write research papers, and view works in museums during the semester.
目標
After taking this course, students will be able to: -formulate their ideas, arguments, and research topics on image-text relationship in Japanese visual culture -develop skills in academic discussion and presentations -think critically about visual works and their associated historical, cultural, and political contexts -have a deep understanding of the roles of language in artistic production in East Asia -understand how knowledge is constructed, circulated, and preserved through the dual use of texts and images, and the relationship between sacred words and devotional activities.
授業外の学習
-finish reading assignments before each class (70 minutes) -prepare for class discussions and activities (60 minutes) -write response papers and review class materials (60 minutes)
所要時間: At least 190 minutes per class
スケジュール
- Introduction The below class schedule is subject to change. A detailed schedule will be provided on the first day of the class.
- Word and Image in the History of East Asia Art (1)
- Word and Image in the History of East Asia Art (2)
- Textualized Images: Decorative Sutras
- Textualized Images: Decorative Sutras
- Poems, Calligraphy, and Images
- Texts, Divine Body, and Jeweled Pagodas
- Inscribing Power and Memory: Texts within Sacred Icons
- Figural Representations of Sacred Words
- Research Workshop
- Individual Meetings for Research Paper
- Student Presentations on Potential Research Topics
- History of Pictorial Narratives in East Asia (1)
- History of Pictorial Narratives in East Asia (2)
- Tale of Genji in Japanese Visual Culture (1)
- Tale of Genji in Japanese Visual Culture (2)
- Parables, Images, and the Lotus Sutra
- Parables, Images, and the Lotus Sutra
- Engi (Origin Stories) and Handscroll Paintings
- Engi (Origin Stories) and Handscroll Paintings
- Engi (Origin Stories) and Handscroll Paintings
- Tales in Prints and Paintings
- Tales in Prints and Paintings
- Language, Images, and Power
- Museum Field Trip
- Student Presentations
- Student Presentations
- Conclusion & Review
教科書
There is no textbook for this class. Assigned and recommended readings will be made available on Moodle.
参考書
書籍情報はありません。